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Lampwork & Fused Glass

Pieces came home from Rockport Press!

Monday, December 3rd, 2007

Make Art Monday

All of the pieces that I sent for consideration for the upcoming book, 1000 Jewelry Details, have returned home. I was very happy to see them again, especially Orinoco Flow. It happens to be my current favorite :-)

I don’t know which if any of my pieces will end up in the book, but there were six in all that they asked for in order to consider them. The pieces they wanted spanned a wide variety of styles too. Here are two samples:

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All the Daughters of Eve

 

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Orinoco Flow

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Lampwork and hot glass forums

Thursday, October 25th, 2007

Help me out here…did I miss any good ones?

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Lampwork Etc Forum

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Warm Glass Forum

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Glass Line’s Hot Glass Forum

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International Society of Glass Beadmakers Forum

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National Bead Society Forum

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Wetcanvas Glass Art Forum

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“A Charmed Life” is up for auction!

Monday, September 10th, 2007

Take nine artists, a color scheme, and a “can do” spirit. Some assembly required. What emerges? A story that we’re all proud to be a part of.

We’ve been waiting for this moment for more than a year! Our traveling charm necklace is finally up on auction. All of the proceeds will be donated for breast cancer research. The auction ends Sunday, September 16.

You can read the story of our necklace here, and a direct link to the auction is right here.

Thank you for looking, and thank you even more if you bid!

Love from,
Leah, Bobbi, Wendy, Amy, Ellen, Dorothy, Dulcey, Illaya, and Cyndi

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NightSky necklace comes home!

Thursday, September 6th, 2007

After being lost in the mail for awhile, my lampwork, seed bead, and wire necklace finally made it safely home a few weeks ago! It appeared in a how-to article back in February that I wrote for Jewelry Crafts magazine.

 

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NightSky

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“A Charmed Life” is ready for auction

Friday, August 31st, 2007

You’ve probably already read our story, but I’m going to include it again below so that those who are not familiar with it can read it. The time we’ve been waiting for is almost here! “A Charmed Life” will be auctioned off, starting Sunday, September 9 and ending on Saturday, September 15, on eBay. Search for it using the phrase “a charmed life necklace breast cancer”

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Starting in April 2006, a small group of my artist friends and I have been collaborating on a charm necklace project. None of us have ever met in person as we live all over the country, but this project is working towards making us feel closer in so many ways!

All of the charms were sent to me to be assembled, and then the necklace began its journey from one member to the next. Each of us wore it on a special date…everything from art openings and reunions to a concrete convention. We’ve shared our pictures and stories with each other as the necklace has made the rounds. Our ultimate aim, though, is to auction it off this summer and donate all the funds to breast cancer research.

The stories from those who’ve worn the necklace and the reactions of those who see it are quite gratifying. We’ve had people stop us on the street, cross crowded rooms, and even chase us down to get a better look at it. Everyone immediately senses that there must be an amazing story behind it. We’re hoping that our sale will be amazing too: we would really like to make a major contribution to breast cancer research with the auction of our piece. Every one of us in the group has someone we love who has struggled with one form of cancer or another, and many with breast cancer specifically. [Note ~ The necklace will be up for auction on eBay in September 2007. Search on the phrase “a charmed life necklace breast cancer”]

The participants:
Wendy Van Camp
Illaya Brown
Bobbi Chukran
Leah Hitchcock-Ybarra
Dorothy Lueloff
Ellen Chasse
Dulcey Heller
Amy Fraser
Cyndi Lavin

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Artist Profile: Maggie Towne

Thursday, August 16th, 2007

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Etched Raku

Artist: Maggie Towne
Business name: Bead Towne
Location: Los Angeles County, California

Websites:
Bead Towne
Etsy Store

Maggie, how do you describe your work?
At the moment my latest art of choice is lampwork bead making using a single fuel hot head torch. I also design and make jewelry, have been doing so since I was a child. Like many other lampworkers, I began buying handmade artisan glass beads to use in my jewelry design. It took a gentle push from a friend saying, “What would it take you to make beads?” to sign up for a beginners class in July 2006. I am somewhat of a perfectionist, which sometimes stalls my creativity, but also defines my style.

A few years ago I was trying to come up with a new name for my business. Family and friends were giving all kinds of help and we had a lot of fun and laughs. Bead Towne became a play on words, using my last name and my love of beads. It is a name that works for both my jewelry making and lampworking.

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Things that go bump in the night

What is your creative process like?
As stated, I am something of a perfectionist when it comes to execution, so I usually have an idea in mind when I sit at the torch. I will have glass rods in the colors of the day, frits (tiny shards of glass), and tools at hand. My inspiration may come from a piece of art, my mood, colors I like, books, suggestions from friends, etc. Sometimes I make a sample bead and if I am not sure of it, I’ll put it in my bead bin and maybe get back to it later to make a set, maybe not. Other times I crank out a set of 5 to 10 beads in one sitting.

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Chocolate cupcake

What kind of training did you have which helped you achieve your currentlevel of artistry?
My first lampwork class basically taught me how to light my torch and not much beyond that. I love to read so I bought several books on glass beads. Love research and kept getting hits on a website called WetCanvas, my best resource to date. Beyond that, it’s the PPP motto. Practice, practice, practice.

When starting out I wanted to make every kind of bead possible as quickly as possible. Found I needed to go back and master some techniques before I could go on to others. I have to continually push myself to try new techniques.

Crazy as this sounds I got my Bachelor’s of Art in Art Education just for fun and to challenge myself. Never took a glass class in college, but I feel my art background helps with using color, design, experimentation, and discipline.

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Valentine Treats

Is there a tool or material that you can’t imagine living without?
Beyond the basics of my torch, glass, and safety equipment, I love using presses, a razor tool, and various other tools with which to poke at the glass. Can’t imagine progressing along without my support system of other lampworkers.

What inspires you to keep going when the work gets frustrating or tough?
If I have been away from the torch for awhile, feel uninspired or frustrated, I go back to what I do well. It used to mean making frit beads and now it is making seashells. Who knows what it will be a year from now. Once I get back in the groove, I can expand and get back on track.

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Yummy Cocoa

What is your best piece of advice for those who would like to rise in their level of artistry?
The basics of believing in yourself, challenging yourself to try new techniques, and good old practice, practice, practice.

What takes up the majority of your time besides your art?
Teaching sixth grade 180 days a year, friends, and reading take up the majority of my time outside of art. I also like to visit museums, attend concerts and plays, and enjoy nature when I can.

What’s your favorite comfort food?
My love of ice cream also goes back to my childhood. Nothing like a scoop of two to comfort my soul.

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Macchiato

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“A Charmed Life” has returned “home”

Monday, August 6th, 2007

Only its temporary home though! In about a month, our collaborative charm necklace will be auctioned off to support breast cancer research.

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For those who never heard our story, or who don’t remember it, here’s the summary:
Over the course of a couple months, a small group of my friends and I collaborated on a charm necklace project. None of us had ever met in person, but this project certainly made us feel closer in so many ways. The artists who participated with me were Wendy Van Camp, Illaya Brown, Bobbi Chukran, Leah Hitchcock-Ybarra, Dorothy Lueloff, Ellen Chasse, Amy Fraser, and Dulcey Heller.

Each of us made a charm in an “ocean” color palette that we all agreed upon. The charms were sent to me last July (2006), and it was my responsibility to get them all to play nicely together! Since we had spent quite a bit of time discussing palette and size issue, this did not turn out to be a problem at all.

Our necklace then made the rounds to all of us. We each wore it to a special event and had shared pictures and stories with each other. Some wonderful experiences resulted from the travels of the necklace. In the midst of this, Belle Armoire magazine put out a call for collaborative necklaces…could there have possibly been any better timing? As soon as we finished passing it around, I packaged it up and shipped it off to be photographed for the magazine. “A Charmed Life” should appear in the Sept/Oct issue of Belle Armoire!


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So now it has temporarily come back to live with me until it’s time for the auction!

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Venetian and Murano glass beads suppliers

Friday, July 6th, 2007

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Beautiful beads from Via Murano

De Roma Venetian Glass
Imported Venetian glass beads

Venetian Bead Shop
Imported Venetian and Murano glass beads

Gems 2 Behold
Wholesalers of Venetian and Murano glass beads

Via Murano
Imported Venetian glass beads

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Nancy Peterson’s kumihimo braids

Wednesday, June 20th, 2007

Nancy Peterson, of Beaver Island Jewelry, has mastered the art of making kumihimo braids to show off her lampwork beads. What a fabulous idea! Check out more of Nancy’s designs at her website. Nancy graciously allowed me to share some of her designs here.

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Kumihimo necklace in browns and beiges with a lampwork bead and wire bail

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Kumihimo necklace, in a choker length with lampwork beads

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Some of the variety of frogs that Nancy makes

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Two of Nancy’s bracelets in browns and beiges

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Sophia has a new home!

Monday, May 21st, 2007

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Sophia

Earlier this month, Sophia was shipped off to the wife of one of our many brave servicepeople, stationed in Afghanistan. He’s stationed there, that is. She’s stateside, keeping everything going. The occasion was the birth of their baby girl, Sophia.

How many fathers will not meet their children until months later? How many mothers weep from missing their children?

Please take the time to think about how to honor the servicemen and women that you know. Pray for them, give the spouse who’s left behind a hand if possible. Send care packages. We are so blessed to have these people serving us!

The ugliest necklace on the planet?

Monday, May 14th, 2007

I’m not going to post a picture of it here, because some folks are just not going to want to see it! I entered the Ugly Necklace Contest this year, and was thrilled to be named as a semi-finalist! Yes, I made the necklace as hideously ugly as I possibly could…on purpose. And I learned a ton about the rules of good design by doing it.

The online voting has just started at the Land of Odds, the sponsor of this contest. Would you go and vote? You can vote for as many as you want, but please don’t try to vote for any necklace more than once. I’d be thrilled if you voted mine as 100% ugly, but please follow your heart…or your queasy stomach…in this matter!

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Artist Profile: Jeanne Kent

Thursday, April 19th, 2007

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Artist: Jeanne Kent
Business name: New Terra Artifacts
Location: Windsor, CA

Website: New Terra Artifacts

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Jeanne, how do you describe your work and how does it differ from other glass pieces?
I work in fused glass - making jewelry components. I prefer organic compositions of colored glass with dichroic glass for sparkling accents. To me the current craze for pieces that are all dichroic feels one dimensional and my preference has always been for the glow and shimmer of colored glass.

New Terra Artifacts has been my business name since before glass - which is a long time now. Originally it was to be a co-op including a friend who was a potter and we were going to sell “Modern Artifacts”. I’ve always thought I could use it for anything - but I like it a lot and its part of my identity now.

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What is your creative process like?
Mostly I am an artist of the spontaneous type. Occasionally an idea will pop into my head while I am out somewhere and have access to pencil and paper and I’ll do a quick sketch, but mostly I go out and handle my materials and do what they seem to want me to do with them. I have a nice stereo system and loads of music of all types from heavy metal to New Age and classical, and will mix and match them according to mood. But often I will go out to work and fall into work, only to discover hours later that I never turned the music on. When I am tired I work in short bursts, going to the studio until I tire in sometimes as little as 20 minutes and then going back to the house for a while. When I am in a blitz of creative and physical energy I may spend 8 or 9 hours straight working with glass.

What kind of training did you have which helped you achieve your current level of artistry?
I have no art training, but was raised by a mother who loved rocks and lapidary work and partly by an Aunt who was very creative. They both seem to have succeeded in their efforts to get me started, although at the time we didn’t realize it. I became a weaver in my late 20s and did that as a hobby, along with other fiber arts, for about 20 years. When my back got too bad to sit at a loom I took up beadwork and from there sort of fell into a very basic fusing class.

From that moment on I was sunk into glass forever. I love it as a medium. I quickly gave up making jewelry to make glass components for others to create with as the glass was too important to me and all I wanted to do was to work with it. I started making beads for an AOL bead swap and the beaders I was swapping with encouraged me to make them to sell. Once I began that and had an outlet for my work I haven’t stopped, and hope I never have to.

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Is there a tool or material that you can’t imagine living without?
Glass!

What inspires you to create?
I have always had a need to be doing something productive and (hopefully) beautiful.

What inspires you to keep going when the work gets frustrating or tough?
Frankly, these days its the standard need for money to pay the bills. I’d probably let myself take a break now and then to recharge my energies if the month to month needs of the household bills weren’t there.

What is your best piece of advice for those who would like to rise in their level of artistry?
Persevere. Find something you love doing - learn it as well as you can - and keep working with it. Don’t become depressed and give up. The bad times are part of the development of the creative process and while they are different for each of us - we all have them. Your work will be better for them.

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What takes up the majority of your time besides your art?
Life?

What’s your favorite hobby?
Reading. I can fall into books and forget to emerge.

Editor’s note - A tutorial featuring one of Jeanne’s beautiful V pendants can be found on the Bead Arts blog!

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Artist Profile: Lori Greenberg

Thursday, March 22nd, 2007

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Artist: Lori Greenberg
Location: Cave Creek, Arizona

Website & Blog:
Lori Greenberg
Bead Nerd

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How do you describe your work, Lori?
The tagline on my web site is “defying the ordinary”. I like to make pieces that are different than anything else you see out there and will keep you coming back to see what I’m up to next. Beads that make you want to look deeper into them or make you wonder, “How did she do that?”

I originally named my business “Bead Nerd” because that is what my husband called me when I’d be obsessively trying to learn about beads and the making of them. While looking at other beadmakers’ work I realized that I was getting to know business names but cound not remember who the actual artist was. I decide that I’d rather be known by my name than Bead Nerd so I transitioned into using my name for my business name. I still use the title Bead Nerd on my blog though because it does fit me and how I go about everything glass bead related.

What is your creative process like?
Many of my ideas come when I’m doing production work and my brain is free to wander. I cannot draw to save my life but I am constantly jotting down little notes with ideas and rough sketches. Unfortunately, I often forget to go back to them but it’s at those times that the ideas are flowing that something starts to form in my head. Up until now I’ve just made what I have felt like making and it has been good. But as I build a business and a client base, more is expected of me and I am already starting to think about next years show line and being able to show customers something new and fresh. I find that the designing process is not very enjoyable for me but I know the end results always are.

My creative process is passive. That is, if I listen to what’s inside and am obedient to that, things flow and I know what to make without a struggle. When it starts to feel like a struggle I know I’m starting to veer off the path and I need to sit back again and listen…”What do I really want to be making?” rather than, “What do I think people will want to buy?”

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Right now I am making bold round beads with colorful dots and I can’t believe it. (I say that a lot because it’s almost like I don’t have control over what I make). I do not like dots. I do not like bright colors. I am known for making pressed shaped beads. So I fought it and struggled and tried to come up with something my brain was designing and it got to be so frustrating I finally said FINE! I’ll make the dang dotted round beads! And now I love them.

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Music is a big part of my day in the studio and I often listen to talk programs on XM Satellite Radio’s NPR Station. I love the morning programs because they’re quirky and interesting, often about artists or people who think differently than the norm, and that inspires me to not always try to run with the pack. As for music, I’m all over the board. It depends what I need to get done that day. I listen to everything from techno jazz to country to world music and, I can’t believe I’m going to admit this, but lately I’ve been listening to heavy metal. Really loud. Just like my creative process, I just have to listen to what’s inside and I’ll know what I need that day. Sometimes it’s a driving beat, sometimes it’s hokey disco dance musc.

What kind of training did you have which helped you achieve your current level of artistry?
If any training was influential in my life it would have to be a high school teacher that I had. Mrs. Stelton. Boy, she and her husband were quite a pair and they definitely marched to the beat of a different drum. I look back and think about everything they taught us about art and architecture but also about different cultures and their art and practices. They even had a gourmet club where a group of us would go into the city (Chicago) to some really funky ethnic restaurants and eat things we’d never heard of. They taught me to be open-minded and diverse. I guess my whole high school was big on teaching kids to be individuals and not conform.

I have a couple degrees, one of them even in art, but nothing that compares to what I learned in high school.

I went from being a hobbyist to a professional in one day. I realized that I was being paid $12 an hour for a job that required a masters degree and they treated their people awfully. Some conflict came up where they demanded just one thing too many without any additional compensation and my boyfriend (later to become husband) told me, “just quit”. So I did. That was uncharacteristic of the practical me, I mean, wouldn’t just walking out look bad on a resume? But I knew it was the right thing at the time. I watched my husband and friends being successfully self-employed and they really helped me start to think differently about this whole work thing.

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Is there a tool or material that you can’t imagine living without?
You know, the more I get into this the more I find that I can make pretty nice pieces with very little. Of course you need a kiln, torch and fuel/oxygen source but other than that, a few marvers and some tweezers and I’m good. I do have to say that I love my GTT Lynx torch. I worked on a different torch last summer and nothing compares. Nothing. I also do love my XM radio.

Something I can’t imagine living without is my web site shopping cart from Pappashop.com. I can’t believe how much time I save now that I’m not coding my site manually. Wow.

What inspires you to create?
I get cranky if I don’t create. That and there is just this drive that I can’t get away from. I can’t really explain that one.

I am most inspired by people and their stories. I don’t know if I would call it inspiring but how people interact is an influence on me too. It is such a creative dance and is just interesting. That is the counselor in me. If you take the time to get to know someone or just listen to them for a little bit you learn so much. Everyone has something to say that is interesting if you open your mind and start to view the world as being interesting. Kate Drew-Wilkinson taught me that…look at the world differently. It’s amazing how your life can change if you change the way you see things. I only wish I had the skill to sculpt in glass how I see things. I’m starting to try and transition my perceptions into my art more.

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What inspires you to keep going when the work gets frustrating or tough?
This is another area that just comes from within. When things are frustrating it is a good exercise in realizing that some things in life are just frustrating and it’s ok. But then I have to think, am I going to give in and be beaten or am I going to go with the flow until it passes? It’s
important to remember that it always passes and if you fight against it, it only gets worse.

If it does persist I will try and figure out why. Is it just time for a vacation? Do I need to get a massage? Is there something hanging over my head that I need to complete before I can move forward? It’s kind of fun to figure it out and feels like a victory when you come out the other side.

What is your best piece of advice for those who would like to rise in their level of artistry?
If you are really serious, learn to listen to what is inside of you. I believe that whatever your spiritual practice is, that is where your answer is. Get in there and find it.

What takes up the majority of your time besides your art?
Blogging, marketing and business-related issues, of course. I absolutely love blogging and I love some aspects of marketing just as much. It’s time consuming but it’s actually a creative process too, if you let it be. It’s that whole seeing the world differently game. I love coming up with marketing ideas or new venues that I don’t see anyone else doing.

What’s your favorite comfort food?
I love Korean and Indian food. Really, anything ethnic is a hit with me.

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Starry Night: making a cigar box handbag

Tuesday, March 20th, 2007

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My inspiration picture!

Starry Night started out as an old cardboard cigar box. I considered several different techniques for creating beaded pictures on it before I settled on my old favorite method, but with a new twist: the beads are embroidered directly on the box, using wire and a couching technique.

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  1. Coat the entire box, inside and out with black gesso. Let it dry. Apply two thin coats of black acrylic paint. Let it dry overnight.
  2. If you want to have a pattern for your work, cut a piece of very lightweight paper to the size of each side you plan to bead. The paper must be able to tear away easily. Sketch your pattern in as much detail as you need. As you begin to bead, set the pattern in place and work right through it. Your first few stitches will hold the paper in place.
  3. Cut off a few dozen 2 inch sections of wire. These will be used to couch your work in place. Bend each piece in half.
  4. String your selected beads onto the end of your spool of wire. I keep the spool in a small baggie to keep it from unrolling completely as I work.
  5. Using a small awl or a nail, poke a hole every few inches along the pathway that your beading will take. Make them closer together on the curves. Anchor the beaded wire in one of the holes by bending it tight to the inside. Begin to lay out your beadwork, securing it as you come to each hole with one of the 2 inch couching wires you cut in step 3. Make more as you need them. Tear away your paper pattern as you finish each section.
  6. Create a handle out of heavier 18 gauge silver wire. Wire on a loop and large bead for a closure.
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    When you have finished embroidering the entire box, you’ll have a lot of wire ends to hide on the inside! Cut a piece of interfacing or quilt batting slightly smaller than each side. Cut a piece of lining fabric (I used shiny black) larger than each piece of interfacing. Wrap each piece around the interfacing and glue the edges to the back. Let them dry. Glue each piece of liner inside the box.

Materials and tool needed:
Black gesso
Black acrylic paint
Foam paint brushes
Awl or nail
24 gauge silver-colored wire
Wire cutters
Chain nosed pliers
Lightweight paper (like tracing paper) and pen (optional)
Beads in appropriate colors and sizes for your design
18 gauge silver wire
Interfacing or quilt batting to line the box
Fabric for the lining
Glue

Copyright 2007 Cyndi Lavin. Not to be reprinted, resold, or redistributed for profit. May be printed out for personal use or distributed electronically provided that entire file, including this notice, remains intact.


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Starry Night cigar-box handbag

Monday, March 19th, 2007

Make Art Monday!

I made this purse over the summer, but it left home for awhile to be photographed. It’s finally back home, so now I have to figure out what to do with it next!

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Larger View

The beads are wired onto a cardboard cigar box, and the interior is lined with a satiny fabric. It uses some of my handmade glass lampwork beads, and purchased seed beads. Visit again tomorrow, because I’m going to share a tutorial with all the steps in its construction for this Technique Tuesday!

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About Bead Arts

Come on a journey through a bead and jewelry wonderland, where no item is considered too strange to use in making something...especially if that item has a hole in it! All types of beads are welcomed and cherished here, and no techniques are off-limits. You'll be amazed and inspired by the beadwork that is being done today!

Bead Arts Author(s)
    » Cyndi-Lavin


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