Bead Arts

Make Art Monday!

A just-for-fun piece

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Tara’s Tiles, 2007. Glass curtain of 1/2″ square glass tiles in 26 colors, with crystals and seed beads. 28″ deep and 81″ wide. View from my master bath.

Artist: Denise Perreault
Location: Boulder, Colorado

Website:
Denise Perreault
Denise also has a number of articles and two covers published in Beadwork Magazine since 1999, (Interweave Press).

Denise, how do you describe your work?
I’d describe my work as contemporary folk art, since I strive for a hand-crafted, vintage appearance. That’s why I use size 11 Czech seed beads almost exclusively: those imperfect little donuts are an excellent medium for conveying a sense of naivete and humanity in my beadwork, as good folk art often does. Our home has a growing collection of contemporary and antique folk art that my husband David and 10 year-old son Dustin have been collecting on our world travels. I’m honored if my artwork brings as much delight to others as our folk art collection gives to us.

In Prince Krak’s Time, 2003. Glass curtain, 25″ long x 48″ wide. Glass seed beads and crystals on antique train ram rod.

What is your creative process like?
I do plan, but I’ll contemplate a piece for months before I put anything on paper, especially the large curtains or sculptures that can take over a year to complete. Once I have a solid idea, I’ll bead a sample, often around a small bottle, to make sure the idea is viable in beads. Then I’ll use regular and/or beading graph paper or a bead software program to create a cartoon.

Motherhood and a husband who travels for business forces me to work in spurts, often late into the night, when it’s just me and the raccoons and owls trilling outside my window near the foothills of the Rockies.

I’m fortunate that my husband is a true patron of the arts (if you get my drift), so I never mind how long a piece takes to finish — it’s all satisfying time spent beading. Perhaps this is what sets me apart from many beaders: most of us are impatient or need to complete a piece so we can jump onto the next project, but I prefer to create one big fabulous piece of beadwork, instead of many less-inspired pieces, speaking strictly for myself. That’s also what shifted my work from craftsperson to artist: when my signature pieces, the glass curtains, began to receive national exposure and recognition. I’m the only bead artist I know of creating these large beaded pictorial fabrics for windows, and it’s SO nice to finally have found my niche, after 24 years in the fiber arts world.

What kind of training did you have which helped you achieve your current level of artistry?
My mom taught me to sew and encouraged my craftiness as a child, but I was not allowed to skitter away precious college tuition on something “frivolous” like art. So I got a journalism degree from Boston University in 1982. While new to Boulder in 1984 and working at the Boulder Daily Camera, I found a small loom at a garage sale, and immediately became hooked on the fiber arts. I took a few weaving classes and one beading class, so I guess I’m mostly self-taught. However, my son and I are constant visitors to museums and art galleries, and being exposed to many different artists and mediums keeps my mind stirring with fresh ideas.

Butchering ‘La Boheme’, 2005. Beaded sculpture over martini glass armature

Is there a tool or material that you can’t imagine living without?
Nymo size B beading thread, a halogen-bulb desk lamp, my large 8-shaft loom, and a pair of 3X reading glasses. Music is also a must.

What inspires you to create?
Inspirations include medieval art and architecture, historical costumes, international folk art and textiles, foreign travel, refracted light/prisms, and of course color and texture. In the end I can’t NOT create! My fingers MUST thread needles and looms — it’s my meditation, my pride and joy. A day without creativity is like a day without sunshine!

What inspires you to keep going when the work gets frustrating or tough?
Tenacity serves me well in my art because it compels me to view problem-solving as a fun challenge. And when something gets too intimidating or maddening, I know that if I walk away from the problem for a time, patience, an open mind, and a fresh perspective will find a solution. Consequently, unfinished projects are rare.

Tunisian Carpet, 1999. Glass curtain(tm) made of seed beads and findings. This is the one that took 2,600 hours to complete! 14″ long x 62″ wide. Each band is a motif from the Berber carpets woven in my Tunisian village, where I served in the Peace Corps from 1992-1994.

What is your best piece of advice for those who would like to rise in their level of artistry?
Rudolph Steiner, founder of the Waldorf Schools, has guided me through questionable bouts of creativity with the following quote: (he used the word “man” but I don’t think he’d mind if we change that to “woman” for now):

“The woman who works with her hands is a laborer.
The woman who works with her hands and head is a craftsperson.
The woman who works with her hands and head and heart is an artist.”

What takes up the majority of your time besides your art?
Motherhood, gardening, writing, weaving, reading, and volunteering for a wild animal sanctuary, my large local fiber arts guild, and Dustin’s fourth-grade class. I also have a large gaggle of girlfriends who gather regularly for picnics, skiing, hiking, happy hours, and art events.

Tara’s Tiles, 2007. Night-view of tiled curtain in my master bath.

What’s your favorite books and foods?
Favorite foods: bagels and fruit
Favorite books: ooh, that’s tough because I’m a voracious reader and love so many authors. I’ve even worked my way through Radcliff University’s list of “100 Most Important Books of the 20th Century”, (though it took me almost three years to do it!) Some favorites are: Of Human Bondage by W. Somerset Maugham, Notre Dame of Paris by Victor Hugo, Arabian Sands by Wilfred Thesiger, Magic Mountain by Thomas Mann, One Hundred Years of Solitude by Gabriel Garcia Marquez, Baltisar and Blimunda by Jose Saramago, and everything by Willa Cather, Anais Nin, and Thomas Wolfe.

Aspen Alley Basket, 2004. My husband found basket without wooden handles. I “repaired” with glass, wood, and plastic beads, beads from old Christmas garland, and Jamaican seeds. 11″ high x 12″ high.

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I finished the mixed media beaded quilt that began as a class that I took with Nancy Eha back in August. The beaded medallion is so distinctive that it took me awhile to figure out how to finish the piece off.  You can learn to make this great medallion in Nancy’s book, Bead Creative Art Quilts.

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Make Art Monday!

I first mentioned this necklace back in February, when I made it and wrote up the instructions for an upcoming Lark publication on wooden jewelry.

Now the book is ready for pre-orders!

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Belle Armoire Jewelry, published by Stampington, is now a quarterly magazine. The deadline for submissions for the next issue is October 15, 2007, and it is scheduled to be out on the newstands in March 2008. From the website: If you’d like to share your inspiration and detailed how-to instruction for creating beautiful jewelry with readers, we want to hear from you. Belle Armoire Jewelry covers a broad range of mediums, from art clay to polymer clay to found object to fiber to wire to beads and much, much more. Whether you are a creator of necklaces, bracelets, earrings, brooches, pendants, rings or other jewelry, we welcome you to submit your artwork for consideration of publication.

Please read submission guidelines before sending your submissions to: Stampington & Company · C/O: Belle Armoire · 22992 Mill Creek, Suite B · Laguna Hills, CA 92653

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Take nine artists, a color scheme, and a “can do” spirit. Some assembly required. What emerges? A story that we’re all proud to be a part of.

We’ve been waiting for this moment for more than a year! Our traveling charm necklace is finally up on auction. All of the proceeds will be donated for breast cancer research. The auction ends Sunday, September 16.

You can read the story of our necklace here, and a direct link to the auction is right here.

Thank you for looking, and thank you even more if you bid!

Love from,
Leah, Bobbi, Wendy, Amy, Ellen, Dorothy, Dulcey, Illaya, and Cyndi

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Make Art Monday!

I made this bracelet for a challenge over at the Wearable Arts forum on WetCanvas a couple of weeks ago. It was actually inspired by a photograph of a fruit and vegetable market in Seattle. The beads running down the center of the bracelet are the same color as Rainier cherries, and the ribbon yarn colors reminded me of all the other summer fruit bounty in the photo.

I wrote up some tips on making these finger-woven pieces awhile back.    The process was quite similar, except that I used short lengths of ribbon yarn to tie the square knots in between each bead instead of using one continuous length of cord.

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Artist: Bernadine Stoopman
Location: Brisbane, Queensland (East Coast of Australia)

Websites and Blog:
Bridal Jewellery & Hair Accessories by Bernadine
Designs to Love: Bernadine’s gallery
Handcrafted Jewellry & Special Occasion Creations
Hooked on Wire blog

Bernadine, your work is so unique. How do you describe it?
Inventive and inspired are probably the first words that come to mind when describing my wirework.

What is your creative process like?
Sometimes I pull bits and pieces out of my storage boxes to see what goes together but that’s not always successful for me as I don’t have an unlimited collection, so I leave it for a couple of days and surf the net for interesting beads and components or go to a trade show if there’s one on and from there I’ll pull the design together. I sometimes design on paper for customers who’d like a couple of different options, but mostly I’m given a few descriptive words such as, Black, Crystal and Glitzy and left to my own devices. Many of my designs just kind of evolve as I go along. I like to listen to music whilst working, usually just the classical radio station. Some of the pieces I’ve created, e.g. my free form wedding Tiaras, take several days to complete, sometimes I have to put them aside and work on other things as wrapping 26g wire for a couple of hours at a time is painful on the fingers particularly in winter.

What kind of training did you have which helped you achieve your current level of artistry?
I have no formal training in jewellery design, I did study art in high school though. I’ve been creative from a very early age, painting and drawing, sewing, mosaics, and later on Photography when I did a short course. Above all I love colour, texture, and shape.

I also spent 26 years or so working in corporate environments in Office Management and Finance. During that time I project managed several commerical office renovations where I got to play with colour and reasonably big budgets among other things.

In Sept 2005, the International Mining and Resources company I worked for decided to relocate its divisional office from the East coast to the West coast of Australia. I walked away with a large redunancy and thoughts of a nice holiday and a new start . In March 2006, I went along to a basic stringing class just for the fun of it and was instantly hooked. From there I started making earrings, (basic techniques learnt from a book) and then really got hooked on Wire. (that could be a good title for a book…lol) The more I played around with it, the more I discovered that there’s not much you can’t make out of wire. In Nov 2006 I hosted my first jewellery viewing, with 50 or 60 people attending and did fantastically sales wise as well as collecting some wonderful repeat customers. I got alot of practice making a couple hundred pieces of jewellery for that party, as well as using my artistic skills and photographs (taken in Tasmania on that holiday I mentioned) to create swing tags and a website or two.

Is there a tool or material that you can’t imagine living without?
That’s a really easy question… Wire. Playing with wire is my passion and I’d be lost without it.

What inspires you to create?
I’m inspired by Nature. I adore Frogs, Geckos, Lizards, Rainforests, The Beach and Ocean and all that it holds. Many of these things can be seen in my jewellery creations.

What inspires you to keep going when the work gets frustrating or tough?
My will to succeed and knowing that if I give up, I’ve let it beat me.

What is your best piece of advice for those who would like to rise in their level of artistry?
Read, Read, Read….as much as you can get your hands on. Most techniques can be learnt from books so join a Library, join a Beading Forum or group, enter as many competitions as you can afford. Experiment with new techinques, make things up as you go along, who knows what you might stumble on. Submit photos of your work to Beading magazines, get printed. One or two might ask you to write projects for their publication. Worked for me.

What takes up the majority of your time besides your art?
My beautiful Border Collie Pup - Bojak Mister Remarkable or Remy as he’s known and oh yes that dreaded housework.

What’s your favorite comfort food?
Love Italian Food… My mum’s parents came to Australia from the Province of Brescia - Lombardy in Northern Italy. That might have something to do with it.

What’s your favorite color and other favorite things?
That’s a truly difficult question for me to answer. Love colour of any tone or description generally. But to say I’m not overly keen on Yellow. Its a difficult colour for most people to wear.

My other Hobbies are Photography, Gardening - I grow orchids, Painting with Acrylics and Cooking.

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After being lost in the mail for awhile, my lampwork, seed bead, and wire necklace finally made it safely home a few weeks ago! It appeared in a how-to article back in February that I wrote for Jewelry Crafts magazine.

NightSky

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Denise Perreault makes a lot of really neat stuff, and I love the way her website is arranged…it’s really easy to navigate. That way, you can concentrate on all the gorgeous beadwork instead of trying to figure out how to get “the-ah from he-ah”, as we say in New England. The thing that Denise makes that I’ve never seen done before is glass curtains. They are simply beautiful.

Visit Denise and take a look at her beautiful vessels and sculptures too!

If I Were a Blacksmith by Denise Perreault

beads, beading, mixed-media

Make Art Monday!

I bought this tigerskin jasper at a recent bead and gem show. It’s not tigereye, which has that wonderful chatoyant reflection: instead, tigerskin has matte bands of purple-brown and dark golden ochres. It mixes beautifully with deep bronze facetted glass beads and small beaded beads.

Tomorrow, I’m going to give you the pattern I came up with for the beaded beads. It’s not difficult, and you can choose any colors you like to create the checkerboard pattern.

[Note ~ now I've been told that it's wood jasper, not tigerskin jasper, so you'll have to decide for yourself!]

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You’ve probably already read our story, but I’m going to include it again below so that those who are not familiar with it can read it. The time we’ve been waiting for is almost here! “A Charmed Life” will be auctioned off, starting Sunday, September 9 and ending on Saturday, September 15, on eBay. Search for it using the phrase “a charmed life necklace breast cancer”

Starting in April 2006, a small group of my artist friends and I have been collaborating on a charm necklace project. None of us have ever met in person as we live all over the country, but this project is working towards making us feel closer in so many ways!

All of the charms were sent to me to be assembled, and then the necklace began its journey from one member to the next. Each of us wore it on a special date…everything from art openings and reunions to a concrete convention. We’ve shared our pictures and stories with each other as the necklace has made the rounds. Our ultimate aim, though, is to auction it off this summer and donate all the funds to breast cancer research.

The stories from those who’ve worn the necklace and the reactions of those who see it are quite gratifying. We’ve had people stop us on the street, cross crowded rooms, and even chase us down to get a better look at it. Everyone immediately senses that there must be an amazing story behind it. We’re hoping that our sale will be amazing too: we would really like to make a major contribution to breast cancer research with the auction of our piece. Every one of us in the group has someone we love who has struggled with one form of cancer or another, and many with breast cancer specifically. [Note ~ The necklace will be up for auction on eBay in September 2007. Search on the phrase "a charmed life necklace breast cancer"]

The participants:
Wendy Van Camp
Illaya Brown
Bobbi Chukran
Leah Hitchcock-Ybarra
Dorothy Lueloff
Ellen Chasse
Dulcey Heller
Amy Fraser
Cyndi Lavin

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Make Art Monday!

Here’s a piece that I made with some more of the turquoise and other stones that I picked up at the Intergem show last month:

Turquoise Shower

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You can find links to more of the Bead Journal Project’s participants on Robin Atkin’s blog.

Click on “Bead Journal Project” under “categories” in the right-hand sidebar to see the beaded journal pages I’ve done for previous months.

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Artist: Debby Arem
Business name: Arem Designs (Beadles and Three Ring Circuits)
Location: Gaithersburg, Maryland

Website:
Debby Arem

Debby, tell us about your work and why you picked the names that you did!
At the time ( 1979 ) Beadles seemed a clever name, one that popped into my mind almost immediately and one that people wouldn’t likely forget. Of course it’s a little corny, but people DO remember it! Three Ring Circuits was harder to come up with and was a joint family process. It really was so fitting as back when I started this line, my life was pretty chaotic with 2 kids still at home, a large number of pets and a busy career. So it really was a pun on words so to speak. I’ve never tired of this name although now my life is a lot calmer and more orderly thank goodness.
As far as my jewelry lines are concerned -both of my jewelry lines have a number of things in common although they are so different. Both lines rely on color and texture I think to get their point across. Both lines have within them many different styles – elegant, casual, funky, whimsical, geometric, and monochromatic to name a few. Both lines are pretty intricate as I love to layer …layer…layer – a throwback to the time when I was a silkscreen designer. I know I’m very fortunate to have been able to find another creative outlet ( beading and my recycled line ) when I decided to quit printmaking.

What is your creative process like?
Well even though I have two separate and very distinct jewelry lines, I would say my creative process is pretty much the same for both. I have never been one to draw things out first. I design in my head as I go along although sometimes I have already envisioned the final design before I begin and it’s just a matter of “ filling in the missing pieces” if you understand what I mean.

When working with beads I first gather together all the colors I know I want to use. There is usually a main component (for instance black onyx) around which I would base my design. I always try to have a variety of shapes and textures within each necklace and in many cases, one special focal point such as a very unique carved bead or an unusual pendant. I’m also very careful to make sure that there is some symmetry even in an “ asymmetrical” necklace and I’m always very careful to match beads of the same type in pattern and depth of color. Because I have some designs that are very elegant and formal, some that are more ethnic, and some that are outright “funky,” I also have a certain feeling in mind that will dictate which components I choose, the length, and the final cost to the client. Of course, with three cats, I have to be very careful never to leave a design out on the table that I am working on unless it is covered up with a cloth! I have always found it most curious however, that from time to time, a cat will actually walk across a design ( as I am working on it ) but no toes will ever touch the piece or disturb a bead! This never ceases to amaze me and it’s consistent for all my cats.

When designing my 3RC line (Three Ring Circuits) there are many more steps that would go into the process. Again though, the first consideration is my main color and from there, what type of feeling I am trying to convey. Many of my 3RC designs are very whimsical and cartoonish. Others are strictly geometric. Because I am working with so many eclectic components such a brass stampings, anodized aluminum, beads, electrical components and of course a recycled circuit board , the challenge is a bit greater to layer just the right components onto the circuit board to create my mini collages.
I have always been one to work best when it is quiet and I find that the hours can just slip away when I’m so engrossed in my design work. It’s probably my secret to staying thin as sometimes I actually forget to eat if I’m busy at work!

What kind of training did you have which helped you achieve your current level of artistry?
I have been a jewelry designer for over 25 yrs. However, this is not what I was first trained in. I have my B.A. in Fine Arts with a concentration in silkscreen design, but gave up working in this medium because of the toxicity of the inks. At the time, there were only oil-based inks and without proper ventilation in my home, it would have been foolish to continue. My husband is a gemologist and because of him, I was first introduced to the incredible world of beads! I took a beading/knotting class and found I was a natural as I had always knit and crocheted and enjoyed working with my hands. Initially, I was only designing necklaces for my husband’s clients if someone requested something in particular. I got my first “big break” when I approached Bloomingdales (at the urging of a friend) and showed my (then) somewhat limited line to a buyer there in the “bridge” department. Bridge jewelry is jewelry that doesn’t use precious metals or precious stones, which would be considered “fine jewelry”, but it is also not “costume”, where one would expect to only find plastic, glass, and base metals.

I was asked to do a “trunk show” and had such a wonderful response that it was the impetus for me to approach other stores. I found that transitioning from a “hobbyist” to a professional was really the result of a snowball effect. Many times one gallery or museum would suggest another and soon I found myself submitting designs to the Smithsonian for their museum shop and their museum shop catalog, which in turn led me to submit designs to other catalogs as well.

How I came to work with recycled circuit boards is a very interesting story. My husband owned a computer company at the time and one day I found myself in the back room where the computers were being assembled, looking at the motherboards. I had never seen the inside of a computer before and I was struck by the beauty of the circuitry. I remember immediately thinking “this would make great jewelry”! Of course the challenge was how to cut up the motherboards. I went through many trial and error attempts until I found what worked best. Because I already had a relationship with a number of the Smithsonian’s museum shops, I was VERY fortunate to be able to show this line when I was first started creating it, and to have it sold in the Smithsonian’s Air and Space museum shop. I suppose I was one of the first “green” companies without realizing it and now that computers are everywhere and just about everyone has one (and is replacing and upgrading all the time- in this throwaway society), this line is even more relevant – not just as a pretty piece of jewelry, but as a way to help keep circuit boards out of landfills .

Is there a tool or material that you can’t imagine living without?
What an interesting question ! Believe it or not, I would say my set of dental tools! I found that these are wonderful for scraping or picking off excess glue!

What inspires you to create
I’m not even sure how to answer this – it just happens. I think because I have always been a creative person (even as a child I took art lessons) that just waking up each day and really SEEING what is around me has been inspiration enough to want to create something – whether it’s a piece of jewelry or cooking something special for dinner. I’m such a visual person that quite honestly, just being out in nature as we live out in the country has been the driving force to make me want to come home and design something.
What inspires you to keep going when the work gets frustrating or tough?
This is an easy question – I’m a perfectionist. I can’t stop until I feel that I’ve done the best I can do. I suppose it’s a curse and a blessing in a way. If you check out my website, you’ll see I even speak about this on my opening page as part of my greeting!

What is your best piece of advice for those who would like to rise intheir level of artistry?
The best advice I can give is to attend high end craft shows and see what other people are creating. I never get bored doing this (and have to restrain myself from wanting to buy everything sometimes!) I am also personally always stretching myself to take on something more difficult (even in my knitting) as I feel this is another way to rise to the next level in your craft. I think the more skills you have that pertain to a certain art form, the more ideas are possible.

What takes up the majority of your time besides your art?
When I am not designing my jewelry or out marketing it, I am a volunteer with two dog rescue groups. My husband and I are very involved in helping to place dogs that have been either given up by their owners or found abandoned. I find this volunteer work so rewarding, and try very hard to educate people along the way to ALWAYS spay or neuter their pet. I also try to educate people to always keep their pets up to date on their shots and be on heartworm preventative. There are so many unwanted pets in this world, and the reasons people give up their pets never cease to amaze me.

What’s your favorite hobby?
Knitting! I’m a knitting fanatic and always have a couple of projects going at the same time – an easy project such as a simple scarf or sweater that I can work on while watching TV and a very difficult pattern where I can only knit for so long and then I have to put it down and take a break. I love the challenge of trying to decipher a pattern and the satisfaction when you have completed a new stitch and know it’s exactly as it’s supposed to be!

I discovered knitting a number of years back and find I get the same pleasure out of this as I do designing jewelry. With all the amazing new yarns out – and all the different textures – I find it’s very much like designing jewelry or silkscreening. I like texture in anything I create and I love the fact that I can do this both in my business and in my hobby.

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